Equipment
Cinema-grade gear in service of your image
A professional image starts with professional equipment. The studio shoots with gear from the film world, for visual quality that sets you apart.
Sony · Cinema Line
Sony FX3 — Cinema Line
The Sony FX3 is the most compact full-frame camera in Sony’s Cinema Line. It delivers the look of the brand’s cinema cameras in a body discreet enough for private spaces.
Built for video first: active cooling for long takes, an XLR audio handle, multiple mounting points and recording tally lamps.
Cinema capabilities
- 12.1 MP back-illuminated full-frame sensor, optimised for video
- Dual base ISO (800 and 12,800 in S-Log3): clean images even in very soft light
- 15+ stops of dynamic range
- 4K up to 120 fps for smooth slow motion
- Internal 10-bit 4:2:2 recording (XAVC S-I All-Intra, XAVC HS and XAVC S)
- 16-bit RAW output over HDMI to an external recorder
- S-Cinetone for cinematic skin tones, S-Log3 / S-Gamut3.Cine for grading
- In-body 5-axis stabilisation with Active mode
- Fast Hybrid AF with face and eye detection
- Built-in cooling fan: long recordings without overheating
- XLR handle: two professional mic inputs, 24-bit audio
- Focus breathing compensation with compatible lenses
Our G Master lenses
Two lenses from Sony’s most demanding range, chosen for low light and intimate spaces.
Sony FE 24 mm F1.4 GM
A very bright wide-angle: at F1.4 you can film by lamplight or candlelight, with a soft background that isolates the subject — and can hide a recognisable setting.
- F1.4 aperture, 11 circular blades for smooth background blur
- 13 elements in 10 groups, including 2 XA and 3 ED
- 0.24 m minimum focus distance
- Fast, silent DDSSM motor
- De-clickable aperture ring, ideal for video
- 445 g, dust and moisture resistant design
Sony FE 16-35 mm F2.8 GM
The versatile wide zoom: 16 mm for small rooms and wide shots, 35 mm for tighter framing, with a constant F2.8 aperture.
- Constant F2.8 aperture across the range
- 16 elements in 13 groups, including 2 XA, 3 aspherical and 2 ED
- Nano AR coating against reflections and flare
- 0.28 m minimum focus distance
- Dual DDSSM motors, internal focusing
- 680 g, 11 circular blades
What this gear means for you
Intimate light
Dual ISO and F1.4: natural low-light atmospheres without harsh lighting.
Anonymity through the image
Shallow depth of field and controlled shadows to melt a setting or silhouette into blur.
Discretion
A compact body and a minimal crew: a light, unobtrusive shoot.
A cinematic look
10-bit, S-Log3 and S-Cinetone: flattering skin tones and real grading latitude.
Leica · M EV1
Stills camera: Leica M EV1
For photography, the studio uses the Leica M EV1: the first digital Leica M with a built-in electronic viewfinder, paired with the renowned Leica M lenses.
Handmade in Germany, compact and discreet, it is ideal for intimate sessions where the camera should be forgotten.
- 60 MP back-illuminated full-frame sensor
- Triple resolution: DNG or JPEG files at 60, 36 or 18 MP
- 5.76-million-dot OLED electronic viewfinder (0.76x magnification)
- Manual focus aids: focus peaking and magnification
- Leica M lenses: Noctilux 50 mm, APO-Summicron 35 mm and 90 mm
- 64 GB internal memory in addition to the SD card
- 484 g body, made in Germany
Our Leica M lenses
Three legendary lenses for portraits, soft light and intimate framing.
Leica Noctilux-M 50 mm f/0.95 ASPH.
One of the brightest lenses in the world: spectacular background blur and candlelit portraits.
- f/0.95 aperture
- 8 elements in 5 groups, including 2 aspherical
- 700 g, 60 mm filter
Leica APO-Summicron-M 35 mm f/2 ASPH.
A razor-sharp apochromatic 35 mm that focuses down to 0.3 m thanks to the M EV1’s electronic viewfinder.
- Apochromatic correction
- 10 elements in 5 groups, 4 aspherical surfaces
- Approx. 320 g, 39 mm filter
Leica APO-Summicron-M 90 mm f/2 ASPH.
The portrait telephoto: tight, flattering framing while keeping a respectful distance.
- Apochromatic correction
- 5 elements in 5 groups, including 1 aspherical
- Built-in hood, 500 g, 55 mm filter
Stabilisation, editing and storage
An end-to-end production chain: steady images, precise editing and protected files.
DJI stabilisation
Our motorised DJI gimbals deliver smooth camera movement, even in tight spaces.
- 3-axis motorised stabilisation
- Tracking shots, pans and moving shots without jolts
- Compatible with the Sony FX3 and our lenses
- Fewer retakes: shorter sessions for you
Editing: Final Cut Pro
Editing and colour grading are done in Final Cut Pro, Apple’s professional editing software.
- Native support for the FX3’s S-Log3, with the camera LUT applied automatically
- Full colour grading: colour wheels, curves, colour masks
- Object tracking with face detection, to blur or mask a moving element
- Multicam editing and magnetic timeline
- ProRes, H.264 and HEVC exports tailored to each platform
Storage: SanDisk Extreme PRO
Your footage is copied to SanDisk Extreme PRO portable SSDs, built to withstand shoots.
- 256-bit AES hardware encryption with password protection
- Drop resistance up to 3 metres
- IP65 dust and water resistance
- Up to 2,000 MB/s for fast transfers
- Forged aluminium enclosure
The rest of our kit
Lenses
Sony FE 24 mm F1.4 GM
Sony FE 16-35 mm F2.8 GM
Microphones
RØDE VideoMic NTG
A directional on-camera shotgun mic: clear, natural sound that isolates the voice from background noise.
Quality, in service of discretion
High-end gear, a minimal crew, a confidential approach.
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